LOCAL VENUES + DIY SHOWS
GEAR SUPPORT AND LIVE MIXING IN THE ROOMS WHERE RESOURCEFULNESS, FAST LISTENING, AND A CLEAN SIGNAL PATH MATTER MORE THAN SCALE.
FREQE AUDIO / ELISE STOFFO / DOCUMENTED WORK
FROM THE
ARCHIVES.
A SELECTED RECORD OF ELISE STOFFO'S PRODUCTION HISTORY, ENVIRONMENTS, AND RESPONSIBILITIES.
SELECTED HISTORY / EACH PRODUCTION STANDS ON ITS OWNPRODUCTION RECORD
ROSE BOWL GAME-DAY RF
REPEATED RF WORK ACROSS ROSE BOWL PRODUCTIONS—HIGH-CHANNEL-COUNT WIRELESS IN A STADIUM ENVIRONMENT WHERE EVERY HANDOFF MATTERS.
SUPER BOWL XLIV
FIELD-LEVEL RF SUPPORT DURING ONE OF LIVE TELEVISION'S MOST DEMANDING PRODUCTION ENVIRONMENTS, INCLUDING THE NATIONAL ANTHEM PERFORMANCE.
GLOBAL HEADQUARTERS EVENTS
AUDIO, RF, AND TECHNICAL SUPPORT FOR LARGE-SCALE PRODUCTIONS AT MAJOR GLOBAL BRAND AND CORPORATE HEADQUARTERS.
GLOBAL TECHNOLOGY CONFERENCES
LARGE MULTI-ROOM TECHNOLOGY EVENTS REQUIRING PRECISE SYSTEM PREP, FAST CREW COLLABORATION, AND CONSISTENT EXECUTION AT SCALE.
PUBLIC-STREET INTERVIEWS
WHAT STARTED AS CROWD INTERVIEWS DURING BLM AND ANTI-ICE PROTESTS IN THE PANDEMIC ERA BECAME MOBILE AUDIO WORK INSIDE AN UNPREDICTABLE PUBLIC SIGNAL PATH.
STUDIO RECORDING + AUDIO
STUDIO WORK BUILT AROUND CRITICAL LISTENING, CLEAN SIGNAL FLOW, AND THE PATIENCE TO PROTECT BOTH THE PERFORMANCE AND THE SESSION.
PREMIO LO NUESTRO
RF MICS, IEMS, AND IFBS FOR ARENA-SCALE MAIN SHOWS AND LIVESTREAM PRODUCTIONS.
SOFTWARE + AI PRODUCT TOURS
TECHNICAL PRODUCTION ACROSS INTERNATIONAL PRODUCT TOURS, ADAPTING A CONSISTENT SHOW TO NEW ROOMS, CREWS, SPECTRUM, AND CITIES.
KAMALA HARRIS / PHILADELPHIA RALLY
LIVE PRODUCTION SUPPORT IN A HIGH-SECURITY CAMPAIGN ENVIRONMENT WITH GOVERNMENT OFFICIALS, PRESS, HIGH-PROFILE GUESTS, AND A LIVE AUDIENCE.
GLOBAL CREATIVE PLATFORM TOUR
TECHNICAL PRODUCTION FOR AN INTERNATIONAL DESIGN-AND-CREATOR PLATFORM TOUR, SUPPORTING EXECUTIVES, CREATIVES, AND PRODUCT STORYTELLING ACROSS MARKETS.
NIKKI GLASER: SOMEDAY YOU'LL DIE
A2 SOUND-DEPARTMENT WORK FOR A MAJOR LIVE COMEDY SPECIAL, SUPPORTING THE PRODUCTION WITH CAREFUL PREP AND SHOW-DAY EXECUTION.
FORTUNE FEIMSTER: CRUSHING IT
A2 SOUND-DEPARTMENT WORK FOR A MAJOR COMEDY SPECIAL—ONE COMPLETE PRODUCTION WITH ITS OWN ROOM, CREW, AND TECHNICAL DEMANDS.
LATIN GRAMMY PRODUCTIONS
WIRELESS AND AUDIO SUPPORT FOR LARGE-SCALE LATIN MUSIC AWARD PRODUCTIONS, WHERE PERFORMANCE, BROADCAST, AND A DENSE RF ENVIRONMENT MEET.
BILL BURR: DROP DEAD YEARS
SOUND-DEPARTMENT WORK FOR BILL BURR'S 2025 COMEDY SPECIAL—ANOTHER DISTINCT PRODUCTION WITH ITS OWN ROOM, CREW, AND PERFORMANCE RHYTHM.
